ME, MYSELF AND I
by Alexandra Leroy,@lastramberia on @labotanica.magazine
Photographer: ALEXANDRA LEROY @alexaleroy
Fashion stylist and producer: Irina Chernyak @irina_chernyak
Makeup and hair stylist: Agata Branchina @agata.mkpbook
Studio: THE ROOM OF COLORS Milan @theroomofcolors
Retouch: Ruslana Kharchenko @ruslanaxr
Models: FRANCESCA SATMAREAN @francescasatmarean RONJA COGLER @ronjasophiekogler @elite_milan
by Alexandra Leroy,@lastramberia on @labotanica.magazine
Photographer: ALEXANDRA LEROY @alexaleroy
Fashion stylist and producer: Irina Chernyak @irina_chernyak
Makeup and hair stylist: Agata Branchina @agata.mkpbook
Studio: THE ROOM OF COLORS Milan @theroomofcolors
Retouch: Ruslana Kharchenko @ruslanaxr
Models: FRANCESCA SATMAREAN @francescasatmarean RONJA COGLER @ronjasophiekogler @elite_milan
This beautifully captures a French-inspired editorial style.
Just look at how gently the shadows fall, the relaxed hairstyles, and the dreamy, distant expressions of the models!
The models are nearly untouched, but what really bugged me during the shoot was that the photographer didn’t like the original floor of the location and asked me to replace it. At first, as a proud member of Generation Z, I turned to a neural network. However, the generations either didn’t handle natural lighting well or struggled with perspective.
And on those photos where the model’s body appears, it’s usually impossible to generate a good image.
I grew tired of waiting for a better option after promising to deliver the photos the same day, so I decided to do it myself. I carefully chose the right perspective to highlight the beautiful concrete floor texture, adjusted the tones, masked everything precisely, and manually painted shadows using curves.
The photographer was so happy with the final result. And I realized I’ll definitely be a challenge for AI when it starts taking over my work, the world, and everything in between.
Just look at how gently the shadows fall, the relaxed hairstyles, and the dreamy, distant expressions of the models!
The models are nearly untouched, but what really bugged me during the shoot was that the photographer didn’t like the original floor of the location and asked me to replace it. At first, as a proud member of Generation Z, I turned to a neural network. However, the generations either didn’t handle natural lighting well or struggled with perspective.
And on those photos where the model’s body appears, it’s usually impossible to generate a good image.
I grew tired of waiting for a better option after promising to deliver the photos the same day, so I decided to do it myself. I carefully chose the right perspective to highlight the beautiful concrete floor texture, adjusted the tones, masked everything precisely, and manually painted shadows using curves.
The photographer was so happy with the final result. And I realized I’ll definitely be a challenge for AI when it starts taking over my work, the world, and everything in between.
